글로벌 세계 대백과사전/사회 I·문화재/현대사회의 대중과 사상/현대대중사회/갬 블
글로벌 세계 대백과사전/사회 I·문화재/현대사회의 대중과 사상/현대대중사회/갬 블
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The prose version of Hayward seemed to have been accepted as the standard, in default of anything more satisfactory: the English critics, generally sustaining the translator in his views concerning the secondary importance of form in Poetry, practically discouraged any further attempt; and no one, familiar with rhythmical expression through the needs of his own nature, had devoted the necessary love and patience to an adequate reproduction of the great work of Goethe's life. The care and conscience with which the work had been performed were so apparent, that I now state with reluctance what then seemed to me to be its only deficiencies,--a lack of the lyrical fire and fluency of the original in some passages, and an occasional lowering of the tone through the use of words which are literal, but not equivalent. The present participle can only be used to a limited extent, on account of its weak termination, and the want of an accusative form to the noun also restricts the arrangement of words in English verse.
The prose translator should certainly be able to feel the manifestation of this law in both languages, and should so choose his words as to meet their reciprocal requirements. Hayward's prose translation. Where all the restraints of verse are flung aside, we should expect, at least, as accurate a reproduction of the sense, spirit, and tone of the original, as the genius of our language will permit. Poetry, indeed, may be distinguished from Prose by the single circumstance, that it is the utterance of whatever in man cannot be perfectly uttered in any other than a rhythmical form: it is useless to say that the naked meaning is independent of the form: on the contrary, the form contributes essentially to the fullness of the meaning. The English language, though not so rich as the German in such rhymes, is less deficient than is generally supposed. The difficulty to be overcome is one of construction rather than of the vocabulary. He shall not leave the spot alive.
Given that plenty of people do not have sufficient blood to engage in challenging action by using a whole belly, your body will rebel to begin with by earning you really feel awful, but This is often an envisioned response. I desire the crowd to truly feel itself well treated, Especially as it lives and lets me Are living; The posts are established, the booth of boards accomplished. Ye crowd more in the vicinity of! My very own activity is cheered by the invention, the a lot more closely I reproduced the language of the first, the more of its rhythmical character was transferred concurrently. I sense impelled, its that means to determine,-- With straightforward function, when for all, The hallowed Original To alter to my beloved German. Nicely-built you will be, 'tis not to be denied, The remainder a Daring tackle will win you; When you but in on your own confide, At once confide all Many others in you. As a result, all which you as Sin have rated,-- Destruction,--aught with Evil blent,-- That's my right component. Hayward's fully omits the component of poetry.
Hayward's ear did not dictate to him the requirement of preserving the original rhythm. I honor him to the affected individual and conscientious labor he has bestowed upon his translation,--I are unable to but think that he has himself illustrated the unsoundness of his argument. Poetry just isn't simply just a style of expression: it is the sort of expression absolutely essential by a specific course of ideas. The English ear is suspicious of new metres and unaccustomed kinds of expression: there are actually crucial detectives about the observe of each creator, and a violation from the acknowledged canons is followed by a summons to judgment. In Poetry which endures by way of its individual inherent vitality, there is no forced union of these two elements. The author's believed is stripped of a last grace in passing via his thoughts, and regularly provides very much the identical resemblance to the initial as an unhewn shaft towards the fluted column.
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